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Biting Through 21.1.2.5 6 Conflict

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Biting Through
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Conflict

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Biting Through 21
Face conflicts head-on to clear blockages; decisive action breaks through obstacles.

Line 1
The situation is difficult, but it is necessary to endure it without complaint.

Line 2
One must be firm and resolute to overcome obstacles, but should not be overly harsh.

Line 5
Success is possible through careful and persistent effort, despite the risks.

Conflict 6
Conflict arises.
Approach disputes with clarity and fairness.
Seek resolution over victory.
Compromise is key.


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21
Biting Through


Other titles: Biting Through, Gnawing, The Symbol of Mastication and Punishment by Pressing and Squeezing, Gnawing Bite, Severing, Chewing, Punishment, Reformation, Reform, Differentiation, Discrimination, Making a Distinction, Getting the message "Something which should be, or has to be bitten through. This is essentially the legal hexagram. When asking about a man's intentions, he is probably married." -- D.F. Hook

 

Judgment

Legge: Success is found in Discernment. The restrictions of the law bring advantage.

Wilhelm/Baynes:Biting Through has success. It is favorable to let justice be administered.

Blofeld: Gnawing. Success! The time is favorable for legal processes. [The concept of gnawing is suggested by the component trigrams, which are regarded (owing to the arrangement of their lines) as not commingling; they are as separate from each other as the upper and lower jaw when something tough is being gnawed.]

Liu: Chewing: Success. It benefits to administer justice. [Chewing indicates success through hard work. Those who get this hexagram will have trouble in the beginning.]

Ritsema/Karcher:Gnawing Bite, Growing. Harvesting: availing of litigating. [This hexagram describes your situation in terms of confronting a tenacious obstacle. It emphasizes that biting through and picking things clean until the essential is revealed is the adequate way to handle it. To be in accord with the time, you are told to: gnaw and bite through!]

Shaughnessy: Biting and chewing: Receipt; beneficial to use a court case.

Cleary (1):Biting through is developmental. It is beneficial to administer justice.

Cleary (2): Biting through is successful. It is beneficial to apply justice.

Wu: Discernment is pervasive. It will be advantageous to exact punishments.

 

The Image

Legge: The images of thunder and lightning form Discernment. Thus the ancient kings promulgated their laws and framed their penalties with intelligence.

Wilhelm/Baynes: Thunder and lightning: The image of Biting Through. Thus the kings of former times made firm the laws through clearly defined penalties.

Blofeld: This hexagram symbolizes lightning accompanied by thunder. The ancient rulers, after making their legal code perfectly clear to all, enforced the laws vigorously. [The firm and yielding lines more or less alternate; or the lower trigram can be regarded as filled with the power of thunderous force, while the upper trigram, representing beauty, is soft and yielding. (Li, the upper trigram, stands for lightning as well as for fire, beauty, etc.) I do not know what the ancient Chinese views on thunder and lightning were; it appears from this that they were regarded as two forces which, like steel and flint, emitted brilliance when brought into sharp contact with each other. A pair of trigrams both with yielding centers is not felt to be a good arrangement; that it nevertheless favors the process of the law may have been suggested to the writer of the Text by the fact that the weak lines (morally weak people?) are fully contained by the strong (prison walls, warders and so forth?)]

Liu: Thunder and lightning symbolize Chewing. The ancient kings made the laws and clarified the penalties.

Ritsema/Karcher: Thunder, lightning. Gnawing Bite. The Earlier Kings used brightening flogging to enforce the laws.

Cleary (1): Thunder and lightning, biting through. Thus did the kings of yore clarify penalties and proclaim laws. [Those who administer laws should emulate the ancient kings in first clarifying them before executing them, in order to avoid mistakenly injuring life.]

Wu: Thunder and lightning form Discernment. Thus the ancient kings made just punishments and upheld the law of the land.

 

COMMENTARY

Confucius/Legge: The existence of something between the jaws gives rise to the name Discernment-- union by means of biting through the intervening article. The dynamic and magnetic lines are equally divided in the figure. Movement is denoted by the lower trigram, and Clarity by the upper -- thunder and lightning uniting in them, and having brilliant manifestation. The magnetic fifth line is in the center, and acts in her high position. Although she is not in her proper place, this is advantageous for the use of legal constraints.

Legge: Discernment means literally "union by gnawing." The figure consists of undivided lines in the top, bottom and fourth places -- giving the image of open jaws with something in them "being gnawed." When the object has been bitten through, the upper and lower jaws come together in union -- hence: " Union by gnawing." Remove the obstacles to union and high and low will meet together in understanding. The force exerted by gnawing suggests the idea of legal constraints.

The equal division of the dynamic and magnetic lines is seen by taking them in pairs, though the order of the first pair is different from the other two. The magnetic fifth line is the ruler of the hexagram, indicating that judgment is tempered by leniency.

Ch'eng-tzu says that thunder and lightning are always found together, and hence their trigrams go together to give the idea of union intended in Discernment: one trigram symbolizing majesty and the other intelligence.

Cleary (1): Practice of the Tao is like administering justice: Discerning true and false, right and wrong, is like the judge deciding good and bad; getting rid of falsehood and keeping truth, so as to preserve essence and life, is like the [just] administration rewarding the good and punishing the bad, so as to alleviate the burden of injustice.

 

NOTES AND PARAPHRASES

Judgment: Further the Work through careful Discernment between what is true and false, right and wrong, correct and incorrect.

The Image portrays the connection between cause and effect, where consequences are always based on the inexorable laws of nature.

To bite is to comprehend, and to bite through is to make distinctions. The top and bottom lines of the hexagram represent the upper and lower jaws, and both bear images of restriction and punishment. Each of the lines between them portrays some version of biting through flesh. Hence, the jaws define the general problem, and the teeth differentiate the details.

The symbol of losing teeth has the primitive meaning of losing one's grip because under primitive circumstances and in the animal kingdom, the teeth and mouth are the gripping organ. If one loses teeth, one loses the grip on something. Now this can mean a loss of self-control, etc. The English word grip is contained in the German word begriff (conception or notion). The Latin word conceptio means the same, i.e., catching hold of something, having a grip on something.
Jung -- Letters

In I Ching symbolism, the "ancient kings” are always synonymous with spiritual authority. Analogous to gods or cosmic forces, their "laws" are like the laws of karma or of nature -- inexorable in their outcome. Therefore, the punishment theme in the hexagram warns us that a lack of Discernment in the matter at hand has built-in penalties: i.e., "Get the message or suffer the consequences.”

Behold, sin and punishment are one, and the fire of punishment is the fire that refines my works. Even in the sinner I am the actor, and I, too, am the sufferer in the experience of punishment.
P.F. Case -- The Book of Tokens

To receive this hexagram without changing lines indicates a need to make some important distinctions in the matter at hand. “Figure it out” might make a good alternate title at such times. Cleary’s Taoist note on the image (“Those who administer laws should emulate the ancient kings in first clarifying them before executing them, in order to avoid mistakenly injuring life”) is a clear admonition to get all of your facts straight before proceeding with your inquiry. That you don’t know or understand something is implied.

 

SUGGESTIONS FOR MEDITATION

The twenty-first hexagram turned upside down becomes the twenty-second. The message for the superior man in the Image of each concerns the enforcement of law. What is the relationship between Discernmentand Persona in such a context? The component trigrams of these two figures also make up hexagrams number fifty-five, Expansion of Awareness and number fifty-six, Transition.The messages for the superior man in each of these figures also relate to litigation. Why? What do the four hexagrams suggest about the nature of the Work?


Line 1

Legge: The first line, dynamic, shows one with his feet in the stocks and deprived of his toes. There will be no error.

Wilhelm/Baynes: His feet are fastened in the stocks so that his toes disappear. No blame.

Blofeld: The feet are shackled so that they may not walk -- no error is involved! [This line suggests that extreme firmness would not be culpable at this time.]

Liu: His feet are put in the stocks. It will injure his toes. No blame.

Ritsema/Karcher: Shoes locked-up, submerging the feet. Without fault.

Shaughnessy: Wearing stocks on the feet and with cut off feet; there is no trouble.

Cleary (1): Wearing stocks stopping the feet, there is no blame.

Wu: He wears a pair of shackles, which covers his toes. There is no error.

 

COMMENTARY

Confucius/Legge: There is no walking to do evil. Wilhelm/Baynes: He cannot walk. Blofeld: This method is used to prevent evil-doers from progressing in their wickedness. Ritsema/Karcher: Not moving indeed. Cleary (2): Means not acting. Wu: The light punishment warns him not to walk the wrong path again.

The Master said:The inferior man is not ashamed of what is not benevolent, nor does he fear to do what is not righteous. Without the prospect of gain he does not stimulate himself to what is good, nor does he correct himself without being moved. Self-correction, however, in what is small will make him careful in what would be of greater consequence; and this is the happiness of the inferior man. It is said in the I Ching, "His feet are in the stocks, and he is disabled in his toes - there will be no further occasion for blame."

Legge: The first and last lines of the hexagram are undergoing punishment which is inflicted by the other lines. Line one's offense is minor, and he is confined to the stocks to prevent him from making it worse.

 

NOTES AND PARAPHRASES

Siu: At the outset, the man receives a mild sentence as a warning for a small offense.

Wing: Since this is only your first departure from the right path, only a mild punishment is forthcoming. This should serve the purpose of early Reform.

Editor: To be deprived of one's toes is to be unable to move -- the toes (or feet in some translations) are found in seven hexagrams, and all but one appear in the first line which indicates the beginning of movement. The idea is to nip a bad choice in the bud before it gains momentum. Sometimes the line can refer to circumstances beyond one's control which prevent one from taking an ill-considered or harmful action.

Even the venerable Church Fathers had to admit that evil is not only unavoidable but actually necessary in order to avert a greater evil... Punishment is also an evil and just as much a transgression as crime. It is simply the crime of society against the crime of the individual. And this evil, too, is unavoidable and necessary.
Jung --Letters

A. You are held fast to prevent mistakes. Comprehension or growth is effected through restricted circumstances.

B. Circumstances impede or prevent action.

Line 2

Legge: The second line, magnetic, shows one biting through soft flesh, and going on to bite off the nose. There will be no error.

Wilhelm/Baynes: Bites through tender meat, so that his nose disappears. No blame.

Blofeld: Gnawing flesh so that the nose is hidden in it --no error! [The meaning of this line is not at all obvious. The Chinese additional commentaries take it to mean that we may do a little harm to our own interests but that we shall not deserve blame for what happens.]

Liu: Biting the skin, his nose is cut. No blame.

Ritsema/Karcher: Gnawing flesh, submerging the nose. Without fault.

Shaughnessy: Biting flesh and cutting off the nose; there is no trouble.

Cleary (1): Biting skin, cutting off the nose, etc.

Cleary (2): Biting through the skin, destroying the nose, etc. [This is investigating principle and gradually penetrating.]

Wu: He bites through a skin burying his nose in it, etc. [This makes it easy for him to judge the case like biting through a soft skin …The judgment seems to have cautioned mildly not to over-judge an easy case.]

 

COMMENTARY

Confucius/Legge: She is mounted on the dynamic first line. Wilhelm/

Baynes: He rests upon a hard line. Blofeld: This is indicated by the position of the line (a yielding one) above a firm one. Ritsema/Karcher: Riding a solid indeed. Cleary (2): Riding on strength. Wu: He is riding on a yang.

Legge: Line two is appropriately magnetic in a central place, therefore her action should be effective. This is shown by her biting through the soft flesh -- an easy thing. Immediately below, however, is a strong offender represented by the first line. Before he will submit it is necessary to bite off his nose. Punishment is the rule, and it must be continued and increased until the end is secured. Ch'eng-Tzu says: "Being mounted on the dynamic first line means punishing a strong and vehement man, when severity is required, as is denoted by the central position of the line."

 

NOTES AND PARAPHRASES

Siu: The hardened sinner must be punished severely to secure the desired ends. Although indignation often goes too far in meting out punishment, it may still be just.

Wing: Punishment and retribution come swiftly and thoroughly to the person who continues in wrong behavior. Even though it may seem overly severe, it will effectively bring about Reform. Finally, there is no mistake in this.

Editor: This is an interestingly ambiguous line which admits of more than one interpretation. I have always taken the hexagram as symbolic of the process of differentiation, so the following associations come from that perspective: Bite: To "get your teeth into" something is to get a grip on it, to comprehend it. Flesh: Meat, food, nourishment -- the raw material, data or experience of the situation at hand. Soft: Easily bitten and penetrated. An easy discrimination. Nose: Intuition, subtle discrimination, as: "I smell a rat.” The various translators indicate that the nose is either injured or buried in the meat, suggesting that the intuitive faculty is damaged or obscured by an overly easy act of mental discrimination. A simplistic comprehension goes too far, but since the idea of "No Blame" is attached to the line this seems to be a natural consequence of the situation. A syllogism might go like this: "Drunk drivers are bad. George is a drunken driver, therefore George is bad.” This is the easy discrimination. The subtlediscrimination is that George, normally a modest drinker, was required by his Embassy job to drink toasts with the Russian ambassador and he miscalculated his capacity to hold his liquor. The easy distinction over-rides the subtle one because the offense is serious enough to require a severe punishment. The line can sometimes suggest the squabbles of lawyers, and the differences between the spirit and letter of the law.

The world of the soul and the realms of the spirit can only be known to him whose inner senses are awakened to life. The things of the body are seen through the instrumentality of the body, but the things of the soul require the power of spiritual perception.
F. Hartmann -- Paracelsus: Life and Prophecies

A. An oversimplification is better than a total illusion: half-true is better than totally false.

B. Suggests a conclusion based upon simplistic reasoning. You only see the obvious: seek the subtle hidden within the obvious.

C. “There is more to the subject than meets the eye.”

Line 5

Legge: The fifth line, magnetic, shows one gnawing at dried flesh, and finding the yellow gold. Let her be firm and correct, realizing the peril of her position. There will be no error.

Wilhelm/Baynes: Bites on dried lean meat. Receives yellow gold. Perseveringly aware of danger. No blame.

Blofeld: While gnawing dried meat, he encountered a piece of gold embedded in it -- unwavering determination now will bring down trouble, but no error is involved. [If we persist with our plans, trouble will arise; the only comfort we can take is that we shall not be to blame for it.]

Liu: By chewing the dried meat one gains gold. To continue is dangerous. No blame.

Ritsema/Karcher: Gnawing parched meat. Acquiring yellow metal. Trial: adversity. Without fault.

Shaughnessy: Biting dry meat and meeting with poison; determination is dangerous; there is no trouble.

Cleary (2): Biting dry meat, finding gold, if one is upright and diligent there will be no blame.

Wu: He bites dried meat and gets yellow gold. He will have no error if he remains perseverant in such a critical situation. [What he bites suggests he still has a hard time simply because he is not strong-minded. A softhearted person vested with the authority of a judge should be perseverant in impartiality.]

 

COMMENTARY

Confucius/Legge: She will possess every quality appropriate to her position and task. Wilhelm/Baynes: She has found what is appropriate. Blofeld: That we shall not be to blame for the trouble is indicated by the suitable position of this line. Ritsema/Karcher: Acquiring the appropriate indeed. Cleary (2): This is finding what is appropriate. Wu: Because he acts properly.

Legge: The fifth line represents the ruler and judge. As it is a magnetic line, she will be disposed to leniency, and her judgments will be correct. This is shown by her finding the "yellow metal." (Yellow is one of the five "correct" colors.) The position is in the center, but because the line is magnetic, a caution is given, as under the previous line.

Anthony: We would like to be lenient, but our job is to be impartial. To accept an alliance merely because the other person wants it, while they are not firmly committed to being correct, would be wrong. They must realize, through their own perception, that correctness is the only path to an alliance, and that spiritual growth is the source of unity that endures.

 

NOTES AND PARAPHRASES

Siu: A clear-cut case meets with difficulty because of a tendency to be lenient. The man must be as true as gold and as impartial as the mean.

Wing: Even though there are few alternatives, a decision is difficult to make. Once you choose the course you will take, do not waver from your decision. Remain aware of the dangers and in this way you will surmount them.

Editor: Flesh: Meat, food, nourishment -- the raw material, data or experience of the situation at hand. Dried: Tough, difficult to chew and digest -- difficult to sort out, comprehend or accept as true. Yellow:Color of the mean, of the sun -- suggests wisdom which comes from clarity, balanced perception. Gold: The supreme treasure, Divine Intelligence, truth.

When a man sins, good and evil are intermingled. A legal opinion is a clear separation between the permitted and the forbidden, the clean and the unclean. When you study religious law, good is once again separated from the evil and the sin is rectified.
Rabbi Nachman of Breslov

A. Sorting out a complex issue involves difficulty, but success is possible -- you have the resources to comprehend the matter.

B. Success lies in making a hard choice.

6
Conflict


Other titles: Conflict, The Symbol of Contention, Strife, Litigation, Quarreling, Arguing, Lawsuit, "It is important to mind one's step at the very beginning then things will have a chance to work out all right." -- D.F. Hook

 

Judgment

Legge: Stress indicates that despite sincere motivations, one still meets with opposition and obstruction. Maintain an apprehensive caution. To prosecute the contention to the bitter end will produce evil results. It is advantageous to see the Great Man. It is not advantageous to cross the great stream.

Wilhelm/Baynes: Conflict. You are sincere and are being obstructed. A cautious halt halfway brings good fortune. Going through to the end brings misfortune. It furthers one to see the great man. It does not further one to cross the great water.

Blofeld: Conflict. Confidence accompanied by obstacles! With care, affairs can be made to prosper in their middle course, but the final outcome will be disaster. It is advantageous to visit a great man, but not to cross the great river (or sea). [In general, this hexagram indicates that we have little chance of success in any conflict, dispute or lawsuit in which we are now engaged and that retreat is the best policy -- unless line one or five is a moving line, in which case the position is more hopeful. We can profit from the advice of someone truly wise, but a journey of any kind at this time would be disastrous.]

Liu: Conflict; you have sincerity even though obstructed, stop halfway -- good fortune; follow to the end -- misfortune. It is of benefit to see a great man, but not to cross the great water.

Ritsema/Karcher: Arguing , possessing conformity. Blocking awe.

Centering significant. Completing: pitfall. Harvesting: visualizing Great People. Not Harvesting: wading the Great River. [This hexagram describes your situation in terms of a dispute. It emphasizes that actively expressing your claims and objections is the adequate way to handle it. To be in accord with the time, you are told to argue!] (Sic)

Shaughnessy: Lawsuit : There is a return; pitying and tranquil, it succeeds to be auspicious, but in the end is inauspicious; beneficial herewith to see the great man; not beneficial to ford the great river.

Cleary (1): Contention; there is blockage of truth. Caution and moderation lead to good results, finality leads to bad results. It is beneficial to see a great person, not beneficial to cross a great river.

Cleary (2): …Wariness within leads to good results, but ending up that way is unfortunate … etc.

Wu:Litigation indicates an obstruction of trust. If the subject is vigilant, he will have good fortune. If he is libelous to the end, he will face foreboding. It will be advantageous to see the great man. It will not be advantageous to cross the big river.

 

The Image

Legge: The image of water moving away from heaven forms Stress. The superior man, in accordance with this, takes good counsel about the beginning of any enterprise.

Wilhelm/Baynes: Heaven and water go their opposite ways: the image of Conflict. Thus in all his transactions the superior man carefully considers the beginning.

Blofeld: This hexagram symbolizes sky and water in opposition. The Superior Man does not embark upon any affair until he has carefully planned the start.

Liu: Heaven and water go in different directions, symbolizing Conflict. The superior man contemplates the beginning before undertaking an enterprise.

Ritsema/Karcher: Heaven associating-with stream, contradicting movements. Arguing, a chun tzu uses arousing affairs to plan beginning.

Cleary (1): When heaven and water go in different directions, there is contention. Superior people plan in the beginning when they do things.

Cleary (2): … When leaders do things, they plan to begin with.

Wu: Heaven and water go in opposite directions; this is Litigation. Thus the jun zi plans well before taking actions.

 

COMMENTARY

Confucius/Legge: The coming together of Strength and Peril gives the idea of Stress. A dynamic line in the central place in the lower trigram shows how there will be good fortune if one maintains apprehensive caution; but because contention should not be taken to extremes, there will be evil if one prosecutes his contention to the bitter end. The great man sets a value on the due mean. If one attempts to cross the great stream, he finds himself in an abyss.

Legge: The upper trigram of Strength here controls the lower trigram of Peril which is trying to attack it. Or it may also be seen as someone in a perilous situation contending with strong outside forces. The image is of contention and strife. The sincere yang line in the middle of the trigram of Peril gives a character to the whole figure -- an individual so represented will be very cautious and have good fortune. But since contention is bad, even a sincere individual must fail if he pursues it to the bitter end. The fifth line represents the great man, whose agency is sure to be good. His decision in any matter of contention will be correct. The sixth line is also dynamic, but his action is likely to be too rash for a great enterprise, hence the warning about not attempting to cross the great stream.

 

NOTES AND PARAPHRASES

Judgment: Be careful, don't attempt much, and don't allow the situation to get out of hand.

The Superior Man is judicious about his choices of action to ensure that the situation remains stable.

The hexagram portrays a high level of tension. Wilhelm points out that the only "favorable" line is the ruler in the fifth place, and that all of the other lines symbolize people quarreling. It should also be noted that lines one through four counsel either retreat from contention or remaining passively in place. Only line five suggests that an active struggle can have a favorable outcome, and line six portrays the sorry fate of those who insist on "demanding their rights." If we turn the hexagram upside down we have Waiting, which suggests some subtle truths about the proper way to handle stress.

He who has a taste for dispute has a taste for blows,
the man of haughty speech courts destruction.
Proverbs 17: 19

At deciding lawsuits I am no better than anyone else; but what is necessary is to bring about a state of affairs in which there will be no lawsuits.
Confucius

Note that Ritsema/Karcher's summation of the Judgment stands in stark disagreement with the general tenor of the figure: I have never received this hexagram when that interpretation has applied.




Source text from
The Gnostic Book of Changes
by Michael Servetus.